[1] NIINIMÄKI K, PETERS G, DAHLBO H, et al. The environmental price of fast fashion[J]. Nature Reviews Earth & Environment, 2020, 1(4): 189-200.
[2] DOROTHY K. BURNHAM. Cut My Cote[M].Toronto: Royal Ontario Museum, 1973
[3] COOKLIN G. Garment Technology for Fashion Designers[M]. Oxford: Blackwell Science, 1997
[4] RISSANEN T. Zero-Waste Fashion Design: A Study at the Intersection of Cloth, Fashion Design and Pattern Cutting[D]. Sydney: University of Technology, 2013
[5] MCQUILLAN H, ARCHER-MARTIN J, MENZIES G, et al. Make/Use: A system for open source, user-modifiable, zero waste fashion practice[J]. Fashion Practice, 2018, 10(1): 7-33.
[6] 施素筠. 立体简易裁剪[M]. 台北: 商鼎文化出版社, 2017.
SHI Sujun. Simple Draping[M]. Taibei: Shang Ding Culture Press, 2017.
[7]张蕾,陆小艾,王雪琴,等. “一片布”式零浪费服装款式及图案自动拼接设计[J]. 丝绸, 2018, 55(12): 71-77.
ZHANG Lei, LU Xiao’ai, WANG Xueqin, et al. Research on zero waste garment of "one piece of cloth" and automatic pattern splicing design[J]. Journal of Silk, 2018, 55(12): 71-77
[8] 黄蕾. 基于零浪费技术的可持续时装设计研究[D]. 北京: 北京服装学院, 2015.
HUANG Lei. Sustainable Fashion Design Based on Zero-Waste Technology[D]. Beijing: Beijing Institute of Fashion Technology, 2015.
[9] MCDONOUGH W, BRAUNGART M. Cradle to Cradle: Remaking the Way We Make Things[M]. New York: North Point Press, 2002.
[10] ASHDOWN S P, DELONG M. Perception testing of apparel ease variation[J]. Applied Ergonomics, 1995, 26(1): 47-54.
[11] 刘珍珍. 合体装的最佳合体度与面料性能关系的研究[D]. 苏州: 苏州大学, 2009.
LIU Zhenzhen. Research on Relationships between the Best Fit and Fabric Properties of Fitted Garments[D]. Suzhou: Soochow University, 2009.
[12] GWILT A, RISSANEN T. Shaping Sustainable Fashion: Changing the Way We Make and Use Clothes[M]. London: Earthscan, 2011.
[13] CARRICO M, KIM V. Expanding zero-waste design practices: a discussion paper[J]. International Journal of Fashion Design, Technology and Education, 2014, 7(1): 58-64.
[14] SAEIDI E, WIMBERLEY V. Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques[C]//International Textile and Apparel Association Annual Conference Proceedings. Iowa State University Digital Press, 2015, 72(1): 49-56 .
[15] LUMSDEN J. A Garment for the Upper Body with a Collar and Sleeves and Buttons down the Front: Shirts Designed through Patternmaking: An Essay Presented in Partial Fulfilment of the Requirements for the Degree of Master of Design at Massey University, Wellington, New Zealand[D]. Palmerston North: Massey University, 2010.
[16] GWILT A. A Practical Guide to Sustainable Fashion[M]. London: Bloomsbury Visual Arts, 2020.
[17] MCQUILLAN H, RISSANEN T, ROBERTS J. The cutting circle: How making challenges design[J]. Research Journal of Textile and Apparel, 2013，17(1): 39-49
[18] UKEY P, KADOLE P V, BORIKAR S. “Direct pattern on loom”: An innovative method of garment construction[J]. Journal of Textile Science and Engineering, 2013, 3(2):131.
[19] AMATO S. Fit to a T: Spray-on clothing, craft, commodity fetishism, and the agency of objects[J]. Utopian Studies, 2011, 22(2):285-302.
[20] CHAN C K, SHIN J, JIANG S X K. Development of tailor-shaped bacterial cellulose textile cultivation techniques for zero-waste design[J]. Clothing and Textiles Research Journal, 2018, 36(1): 33-44.
[21] MCQUILLAN H. Digital 3D design as a tool for augmenting zero-waste fashion design practice[J]. International Journal of Fashion Design, Technology and Education, 2020, 13(1): 89-100.
|
